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Author’s Note
I was so moved by the richness of the research materials and admittedly more than a little stunned at how even the official documents and forms themselves contributed to the dehumanization of enslaved persons, that I crafted a half dozen poems connected to the life of U.S.C.T., John Wesley Burks. The first is a persona poem in response to the official US Federal Census Slave schedule that allowed a space for the name of the owner, but none for the names of the actual enslaved persons. The second poem is taken from the actual language in Matilda Burks’ will and centers on how casually she redistributes the children of her “negro woman Grace” followed by a third poem which is written in the voice of Grace and offers her imagined response. The fourth poem is inspired by John W. Burks’ actual Death Certificate and how little information was available about him at his actual death. The fifth effort is an erasure poem, arrived at through redaction, which is deconstructed from an 1832 advertisement for the Executor’s Sale of John Burks’ property. The result imagines an alternative and more progressive outcome of the sale. The final poem is in the voice of the soldier himself, who had been promoted to corporal a year after enlisting. He served as an escort and scout at Ft. Craig, New Mexico, and in this final persona poem comments on the origin of the term “Buffalo Soldier.” I offer these poems in honor of the researchers, and soldiers who they are helping to breathe life back into by uncovering their important stories.
Frank X Walker
Slave Inhabitants in District 1, Jefferson, KY, USA
(1850 US Federal Census-Slave Schedules)
To the man keeping the ledger
our age, our sex, and our color
was more important
than our names.
He counted 48 of us
from 6 moons to 60 winters,
including 4 fugitives
from the state a Virginny
The good news:
None a us be deaf & dumb,
blind, insane or idiotic.
The bad news:
All a us be property
a Matilda Burks.
After My Decease, a Last Will and Testament
I give and bequeath all my silver ware and plate
of every description, also all my beds, bedsteads,
bed clothes, and household and kitchen furniture
to be split equally
amongst my 3 sons and daughter.
I give and bequeath to my daughter Nancy
my fortepiano
and also my negro woman Grace
and her youngest daughter Harriet.
I also give to my son John
all my pictures
and also my negro boy Alfred,
son of the above mentioned Grace.
I give to my son James
my negro girl Sally
daughter of the above mentioned Grace.
And to Charles, I give my negro boy Wesley.
Should the said Grace or any of her increase
or any other slave of mine
which shall become the property
of any of my children
prove troublesome and unmanageable
from their improper conduct
then it is my wish that such slave or slaves
so offending shall be sold
and the proceeds of such sale or sales
be appropriated to the purchase
of other servant or servants
to supply the place or places of those sold.
In witness where of I have hereunto set my hand
and affixed my seal this seventh day of December
in the year of our Lord 1857.
Signed, sealed and acknowledged
-Matilda Burks
Mother to Mother
I believes you believe
all this ink and chicken scratch
show off your love for your children
and how generous you can be.
And that may be so.
But it easy to be generous
when you gone.
What use a dead body got
with silver and slaves?
While I thank you for the gift
of the giving over a my Harriet
with me, I feel no such kindness for
the ploughing up of the rest a my children.
And the added threat a being sold away
for daring to say anything
but yes mam’n and yassa boss
have me dreaming a setting
the back a my hand
and fixing my own seal.
You can shackle my seeds
but you can’t shackle my dreams.
-Above Mentioned Grace
Buffalo Soldiers
“Fighting on arrival, fighting for survival…”
-Bob Marley
This Kentucky boy and ex-slave
was on escort duty
in New Mexico
when Congress officially graced
Black troops
out west with the name.
But Black soldiers of the 9th Calvary
and the 38th and 125th Infantries
had already earned the nickname
from the warriors we fought against.
Some say it was simply our wooly hair
reminding them of their sacred beasts
but them that know the truth
believe they saw something similar
in the spirit, character, nobility,
toughness, and power of both.
Frank X Walker
The first African American writer to be named Kentucky Poet Laureate, Frank X Walker is Professor of English and African American and Africana Studies and Director of the MFA in Creative Writing program at the University of Kentucky in Lexington where he founded pluck! The Journal of Affrilachian Arts & Culture. He has published eleven collections of poetry, including his latest, Masked Man, Black: Pandemic & Protest Poems, Turn Me Loose: The Unghosting of Medgar Evers, which was awarded an NAACP Image Award for Poetry and the Black Caucus American Library Association Honor Award for Poetry. He is also the author of Last Will, Last Testament, winner of the Judy Gaines Young Book Award, Buffalo Dance: The Journey of York, winner of a Lillian Smith Book Award, and Isaac Murphy: I Dedicate This Ride, which he adapted for stage. Voted one of the most creative professors in the south, Walker, a Danville native, coined the term “Affrilachia” and co-founded the Affrilachian Poets. A Cave Canem fellow, his honors also include a Lannan Literary Fellowship for Poetry.
More information can be found at frankxwalker.com
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